Others 1, 2, 3

It's the beginning of a new quarter here in Seattle, which means chaotic wrappings-up of summer projects and chaotic scramblings to get new projects going. But I have to do a quick post on Others. 
   
The first three issues are absolutely epic.

The first issue (July) contains poetry by Mina Loy, and is the first time I've seen her on the MJP. Her Love Songs are racy and provocative, right away.

The August issue contains poems by this august crew (deep breath): Amy Lowell, William Carlos Williams, and Wallace Stevens. It also has a couple mostly-forgotten poets that I'm interested in: Skipwith Cannell and Robert Carlton Brown. The real treat, though, is Wallace Stevens.  I think this is the first time I've seen Stevens in the archive, and like Loy, his first contributions are amazing: "Peter Quince at the Clavier" as debut!

Lastly, to get me up to date, the gem of the September issue is T.S. Eliot's "Portrait of a Lady." John Gould Fletcher appears too, but his appropriative Native American themed poem is a mess.

I have to go to work!

Blast War Number, July 1915

The second and final issue of Blast was published this month in 1915--and it is amazing. I'd read Blast in facsimile and on the MJP before, but hadn't looked at the second issue before. First, I should mention that the MJP reminds visitors that this issue is still under copyright in the UK, so I feel a little weird about posting images even though I'm in the USA. You'd best check it out at the MJP anyway.

My thoughts:

First, the thing is mostly Wyndham Lewis, with a sprinkling of others. But what others! T.S. Eliot makes his first appearance, as far as I've noticed, at least, publishing "Preludes" and "Rhapsody on a Windy Night." As Eliot was one of my first favorite poets, it's very surreal to see him appearing in my parallel existence, especially in this venue--Eliot breaking on to the scene as a Vorticist!? The poems take on the texture of the context of the Lewisian vortex. Even that vortex doesn't look like the one in Blast. Gone are the long catalogs of blessings and blasts (each gets one page in this issue). In their place are darkly humorous essays on the war and aesthetics by Lewis, with Pound and Jessie Dismorr making sizable contributions, too. Here, Eliot's poems fit the general air of wry social comment. They are also themselves, and excellent.

Here are some nuggets from Lewis on the war:

"No wise aristocratic politician would ever encourage the people f his country to be conservative, in the sense of "old-fashioned” and over-sentimental about the things of the Past. The only real crime, on the contrary, would be to dream or harbour memories. To be active and unconscious, to live in the moment, would be the ideal set before the average man." (10).

"Super-Krupp is the best hope for the glorious future of War. Could Krupp only combine business ability with a Napoleonic competence in the field, the problem would be solved! We might eventually arrive at such a point of excellence that two-thirds of the population of the world could be exterminated with mathematical precision in a fortnight. War might be treated on the same basis as agriculture." (14)

Beyond these political prognostications, I found Lewis' "A Review of Contemporary Art" revealing, useful, probably teachable. The contrast of realism and naturalism, on page 39, will find its way into my dissertation...

There is far too much in this issue for me to address it comprehensively here, so, Quick Notes:

Gaudier-Brzeska contributes a short poem-essay, which appears with the news of his death. 

SO MUCH awesome Vorticist visual art!

Jessie Dismorr is fantastic. Someone should make more of a stink about her work--it deserves a look, and seems pretty unheralded (google says someone is writing her biography, so maybe soon?).